But these undercurrents were just that - undercurrents - never seeming as bold as I was sure the double agent saw them. The film shows this ugliness in mustard-tinted ways: the undercurrent of homosexual repression, the lonely characters, and the dilapidated buildings of the United Kingdom. “It was an aesthetic choice as much as anything else,” he says. IN THE 2011 FILM version of John le Carré’s Tinker Tailor Soldier Spy, a double agent offers an eloquent reasoning for why he defected to the Soviet Union.
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